One of the things that amazes me is hearing people say "I've always wanted to write a novel, but I just don't have time." The belief that you don't have time to write is absurd. I work at a very demanding job in software where 50- to 60-hour weeks are typical, and I just finished an 80-hour week (no, I don't get overtime pay...don't even ask). I practice martial arts a few times a week. I see a couple of massage clients a week. I'm a managing member of a holding company for a patent. I help my daughter with her homework and all the trials of being thirteen. I spend quality time with my husband. I help out friends and volunteer at my daughter's school. And when I'm not tweaking my web site, writing blog entries, tweeting about cool stuff that's happening in the world of volunteerism, or sleeping, I work on my books.
The one thing I don't do is watch television. There's your answer. Almost everyone can find time to watch a couple hours of TV every night. When's the last time you heard someone say "I've always wanted to watch television, but I just don't have the time"?
In all fairness, writing comes pretty naturally to me. I type ridiculously fast, and the words usually flow out only slightly faster than I can type. But I spend a lot of time editing (it took me about six weeks to write the first draft of Rising Shadow and another nine months to edit it), and that's just all about sitting down and doing it. So even though writing may feel like a lot of work, it's really a matter of facing the blank page, taking a deep breath, and just starting.
Here's the part where people usually say they don't have a quiet place to write. Neither do I. I write on the train on my way to and from work. I write at the dining room table in the middle of the house where all the action is going on around me, specifically so I can be around my family when I'm writing. By deliberately making writing a part of my life and a daily habit, I don't have to drum up the energy to write. It's just what I do.
The real question is not when will you find time to write, it's what will you write about? If you don't have an idea you feel passionate about, you won't write. If you have a cool idea but you're having trouble writing the first page, start in the middle. Just start writing. You can always throw it out later, and you don't have to show it to anyone. Just start. Right now.
Also, if you have a fun scene in your mind that you can't wait to write, you can either dive in and write that first, or you can save it and use it as a carrot. In my third book (which is now about 70% written), I knew I was driving the plot toward a major crisis point that was going to be a lot of fun to write. I was tempted to just write that scene, but I decided to save it as a reward instead, and it encouraged me to write an extra page or two a day so I could finally get to the fun part of writing that scene.
So please don't say you don't have time to write. When you tell yourself that, you basically say that life has prevented you from doing this thing you really want to do. Write a page a day, and in a year, you'll have a novel. And if you don't have a great idea, then just be honest with yourself that it's not that you don't have time, it's that you're still waiting for inspiration to strike. But when it does strike, seize it with both hands and run with it, because there really is nothing quite like writing your first novel.
Most of all, enjoy the hell out of the process. Holding your first finished novel in your hands is an amazing feeling, but it's the process that's so much fun. Every time you write, it's like journeying into another world. It's a mini-vacation at your computer, in the midst of all the craziness of your regular life. Maybe that's why the train and the dining room table are such great spots, because if I were sitting in a tranquil paradise, I would be much more interested in looking out the window than escaping into the world of The Soterians that I've created.
So go, create your own alternate reality, and write yourself into that adventure you've been wanting to have. It's a wonderful way to escape. And best of all, there are no commercials.
Sunday, October 25, 2009
Saturday, October 10, 2009
The Hilarious Drudgery of Querying Agents
After I finished the first draft of Rising Shadow last year, I embarked on the well-worn path of trying to find an agent and a suitable publisher to handle the book. I had visions of perusing the web sites of agents, finding that perfect someone who was going to believe in my project and work as my partner to get my books into the light of day. In short, I figured it would be similar to hiring a colleague at work. Or finding a spouse.
What I quickly discovered was that submitting queries was a hopeless process of spending way too much time crafting emails to people who hate you before you begin, who are desperately overwhelmed by the volume of emails they receive, and have created a bureaucratic obstacle course to weed out the weak and the faint of heart. Not unlike dealing with an insurance company.
Perhaps the biggest surprise to me was the tone of their guidelines and of their rejection emails, if they responded at all. Some agents take a courteous and professional tone, treating you like a peer. The rest had either a pedantic air, as if they were instructing small children on how to clean up after themselves, or the downright rude I’M TOO BUSY TO TYPE IN LOWERCASE type of approach. Can you imagine how unacceptable it would seem if a writer were to put the following type of information on their web site for prospective agents?
Self-publishing isn’t for everyone. You don’t have anyone holding your hand. You have to do your homework, and your own publicity. But even if you get a traditional publisher, you still have to promote and sell your book. Publishers simply don’t risk their marketing budgets on new authors.
I hoped I could buy my way out of doing my own publicity by going with one of those pay-to-play publishers who supposedly guide you through the process. But after discovering that they would not back me unless I made sure my book strictly adhered to the Chicago Manual of Style (which makes perfect sense for non-fiction but zero sense for a young-adult fantasy novel written in the first person), I realized that there really was no way out of doing everything myself.
I finally discovered Amazon’s print-on-demand service, CreateSpace, and I’ve been very happy with my choice. There’s no setup cost, just a per-copy cost that’s not as cheap as if you were printing thousands at a time but is still reasonable. They provide some basic tools to help you get started, such as a cover creator tool, or you can upload a PDF of your cover art that you’ve created in Photoshop or another tool. I uploaded my cover art and my manuscript, a week later I had a proof copy, and the next day my book was available for sale on my eStore (it takes another week for it to be available on Amazon). It’s that simple.
Print-on-demand isn’t perfect. The cover art can shift up to an eighth of an inch during printing and still be considered acceptable. I wasn’t happy about this, but I worked around it by designing the spine of the book so that nothing goes right up to the edge, making it less obvious when the artwork has shifted. Also, they charge sales tax on copies you buy to resell, so I’m not sure how that’s going to work out with distribution—I’m looking into distribution options and will post my findings in a future blog entry. Maybe my series will get so popular that I have to go looking for a traditional publisher after all.
Or maybe I’ll post a Publisher’s Guidelines page on my site and let them come to me.
What I quickly discovered was that submitting queries was a hopeless process of spending way too much time crafting emails to people who hate you before you begin, who are desperately overwhelmed by the volume of emails they receive, and have created a bureaucratic obstacle course to weed out the weak and the faint of heart. Not unlike dealing with an insurance company.
Perhaps the biggest surprise to me was the tone of their guidelines and of their rejection emails, if they responded at all. Some agents take a courteous and professional tone, treating you like a peer. The rest had either a pedantic air, as if they were instructing small children on how to clean up after themselves, or the downright rude I’M TOO BUSY TO TYPE IN LOWERCASE type of approach. Can you imagine how unacceptable it would seem if a writer were to put the following type of information on their web site for prospective agents?
Thank you for your interest in representing The Soterians series! I know that being a literary agent is a tough career, and you’ve worked very hard building what I’m sure is a wonderful base of clients. However, because I get hundreds of emails a day from outstanding agents all over the world, I simply can’t reply to them all. Please follow the guidelines on this page EXACTLY, and if you don’t hear from me, don’t give up! Keep working hard, and always believe in yourself!Needless to say, I did not follow the advice in the books to query six thousand agents before giving up. Instead, I decided to self-publish. In my next post, I’ll talk about my journey through self-publishing and some of the lessons I’ve learned along the way.If I am interested in your services, you will hear from me in six to nine months. Good luck!
- Send an email describing in twenty-five words or less why you’re the ideal agent for me. You really want to stand out from the crowd here, so make it sizzle! The first two words are especially important. Be sure to put “HUMBLE REQUEST FOR CONSIDERATION” in the subject line followed by your first initial and your last name.
- Below this paragraph, list each of your clients followed by the specific titles you represented and the number of copies they sold. Put each client on a separate line, with each field separated by commas and a semicolon at the end of each line. NO ATTACHMENTS.
- After the list, please provide biographical information about yourself. Why did you decide to become a literary agent? What motivates you every day? Where do you see yourself in five years? Do NOT simply enter a link to a page on your web site that already has this information.
- Add a link to your web site. Your site must be professionally designed, have a highly polished appearance, and support Internet Explorer 3.0.
Self-publishing isn’t for everyone. You don’t have anyone holding your hand. You have to do your homework, and your own publicity. But even if you get a traditional publisher, you still have to promote and sell your book. Publishers simply don’t risk their marketing budgets on new authors.
I hoped I could buy my way out of doing my own publicity by going with one of those pay-to-play publishers who supposedly guide you through the process. But after discovering that they would not back me unless I made sure my book strictly adhered to the Chicago Manual of Style (which makes perfect sense for non-fiction but zero sense for a young-adult fantasy novel written in the first person), I realized that there really was no way out of doing everything myself.
I finally discovered Amazon’s print-on-demand service, CreateSpace, and I’ve been very happy with my choice. There’s no setup cost, just a per-copy cost that’s not as cheap as if you were printing thousands at a time but is still reasonable. They provide some basic tools to help you get started, such as a cover creator tool, or you can upload a PDF of your cover art that you’ve created in Photoshop or another tool. I uploaded my cover art and my manuscript, a week later I had a proof copy, and the next day my book was available for sale on my eStore (it takes another week for it to be available on Amazon). It’s that simple.
Print-on-demand isn’t perfect. The cover art can shift up to an eighth of an inch during printing and still be considered acceptable. I wasn’t happy about this, but I worked around it by designing the spine of the book so that nothing goes right up to the edge, making it less obvious when the artwork has shifted. Also, they charge sales tax on copies you buy to resell, so I’m not sure how that’s going to work out with distribution—I’m looking into distribution options and will post my findings in a future blog entry. Maybe my series will get so popular that I have to go looking for a traditional publisher after all.
Or maybe I’ll post a Publisher’s Guidelines page on my site and let them come to me.
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